We are delighted to have taken delivery of this state of the art cabinet, for which St Agnes Local Improvements Committee made a most generous grant.
Our new cabinet
When we reopen on 1 April, it will contain Walter Henry Goard’s gold watch, together with the family history and some insights into Walter’s travels abroad.
St Agnes Museum feels extremely honoured to have been given this gold watch, a precious family heirloom, by Miss Ruth Pearce who wanted it to be conserved and its mining history kept alive.
The watch was purchased by Walter Henry Goard, Ruth’s uncle, while he was mining in America. His initials are engraved on the back.
We are very grateful to the Tufnells, Ruth’s good friends, who researched the watch’s origins and family history, and took this photograph.
It is an American “Railroad” pocket watch, with a Hamilton movement and a 14 carat three-coloured gold keystone case, set with a small diamond. It has an English chain and locket with photographs of two children, yet to be identified. We would love to know who they were.
The watch was made in Lancaster, Pennsylvania, in around 1911 and we will be displaying it, together with more information, in our brand new cabinet bought with generous help from the Local Improvements Committee.
The Museum is very excited to have acquired its first example of St Agnes potter Annette Bulkley’s work, thanks to Tom Thompson’s purchase of this little vase on eBay.
Annette Bulkley vase
The Bulkley sisters, Annette (b.1868) and Helen (b.1870), had moved permanently to St Agnes in about 1922, making pottery and founding their studio at Wayside, which continued until at least 1937.
The Museum has several examples of Helen’s work, in its characteristic chunky style and vibrant turquoise colour (obtained from local copper which she sought out herself) but had no examples of Annette’s work until now. Possibly her output was less as she became very involved in caring for the countryside around St Agnes. She was a Committee Member of the St Agnes Countryside Protection and the Old Cornwall Society, and in 1934 was one of the honorary secretaries when the Council for the Preservation of Rural England fought to prevent housing being built on open spaces nearby, including at the iconic St Agnes Head.
Annette’s vase shares the same turquoise lustre as seen in her sister’s work but is finer and more delicate.
Annette died in 1944 and Helen in 1955. They gave Wayside and their two cottages to the National Trust who continues to own them to this day.
The Museum held a record breaking Coffee Morning in the Church Hall on Saturday morning 17 November when £665 was raised for Museum funds and a further £380 taken in subscriptions giving a record total of £1045.
Cards for sale at the Museum coffee morning
Stallholders were enjoyably busy all morning with the stall selling new items from the Museum Shop, taking an astonishing £230, including some of these locally produced cards.
The Museum is so grateful to everyone who supported the event in any way.
To commemorate the 100th Anniversary of the Armistice, St Agnes Parish Council has funded and erected a granite headstone on the unmarked grave of Henry Jennings DCM, his sisters and his mother in St Agnes Cemetery. The stone symbolically commemorates all those servicemen and women of St Agnes Parish, including Henry, who returned from the Great War and resumed their civilian lives, some like Henry decorated for their gallantry, and recovered from their wounds.
Granite headstone on the grave of Henry Jennings DCM
On Saturday 10 November Henry’s two nephews, Joseph Sawle (89) and his brother Martin (86), together with other members of the family, travelled to St Agnes to lay a wreath at the headstone in the presence of the Chair of St Agnes Parish Council, Jinny Clark, and several members of Museum Committee who had become involved in research into the life and war record of Henry Jennings, and tracing his descendants. Philip Mitchell laid flowers on behalf of the Museum. Joseph’s grandson, Scott Turnbull, read Strange Meeting by Wilfred Owen.
Henry was the subject of a short Cornish-made documentary film called Cornish Tommies being widely shown locally around the time of the Armistice. Part of the film was shot at the Museum with volunteers Joan Bunt and Philip Mitchell taking part.
After the ceremony the group returned to the Museum for refreshments. Roger Radcliffe thanked everyone for coming and paid tribute to the determined research of Museum Curator, Clare Murton.